The Australian Ballet's first commissioned full-length work in 20 years, based on the life of Oscar Wilde, fails to fully ...

Plunging straight into icy waters seems a typically Finnish thing to do, so perhaps it was no great surprise that Klaus Mäkelä opened his London Symphony Orchestra debut with Tapiola. Sibelius’ final ...

With gloriously inventive sets and costumes, Alex Esposito's splendid Four Villains drive a wonderfully entertaining new ...

Welcome to the life of the freelance musician. Night after night in the West End of London, and in concert halls and theatres up and down the country, an unsung army of seasoned professionals is ...

At London's Wigmore Hall, Julian Prégardien and Sir András Schiff reveal Schubert's great song cycle as it once may have sounded.

The star violinist and the Orpheus Chamber Orchestra bring their two-night traversal of Mozart’s complete works for violin ...

A unique, but at times frustrating performance of Brahms’ First Piano Concerto demonstrates Víkingur Ólafsson's qualities, ...

Strong performances and powerful direction in Gothic Opera's premiere UK staging of Donizetti's Maria de Rudenz at Battersea ...

In addition to the New York premiere of Luca Francesconi’s Duende: The Dark Notes, the evening is marked by an intriguing ...

Jonathan Miller’s game-changing mafioso setting of Rigoletto returns to the Coliseum, vividly conducted by Richard Farnes.

A double bill of great contrasts, common ground[s] with Germaine Acogny and Malou Airaudo, and Bausch's Rite of Spring with ...

Truls Mørk joins Tarmo Peltokoski and the Rotterdam Phil for a deeply emotional reading of Shostakovich’s Cello Concerto no. 2.