‘Mad Bills to Pay (or Destiny, dile que no soy malo)’ Review: A Colorfully Raw New York Story That Skirts the Line Between Doc and Theater
Writer-director Joel Alfonso Vargas' feature debut follows a Dominican American family struggling to make it work in one of the city’s toughest boroughs.
At Sundance, a Sense of Uprooting Onscreen and Off
As it searches for a new home beyond Park City, Utah, the film festival showcases a neo-western, a promising comedic debut and two unsettling documentaries.
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If You Ain’t First, You’re Last: Will Ferrell’s Ten Best Performances
The best of Will Ferrell isn't confined to Saturday Night Live; he's also given some terrific movie performances over the ...