Haegue Yang, known for her poetic use of everyday objects, is the subject of a new exhibition at London's Hayward Gallery.

By Griffin Mancuso Through the usual hum of the Arcata plaza — cars driving by, dogs barking, construction noise — a chorus of passionate voices rang out. “No Trump, no KKK, no racist, fascist ...

Within the boundaries of the crime-solving genius genre, “Cross” represents the dark yin and “The Lincoln Lawyer” the bright yang.

A London exhibition shows how the three painters circled one another as rivals and role models in 16th-century Florence.