Performances in N.Y.C. Advertisement Supported by A revival of the 1960 musical with the famously great score and infamously bad book gets a gorgeous makeover that makes no difference. By Jesse Green ...
PITTSFIELD — Compared to the near-perfection of their “My Fair Lady” (1956), Lerner and Loewe’s “Camelot” (1960) is a middling affair at best, its gait more lumbering than fleet, a warhorse without a ...
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