Joe Alwyn just reached a new career milestone. On Tuesday, Jan. 14, the actor, 33, made his first-ever appearance on a late-night talk show , Late Night with Seth Meyers, to promote his latest film, The Brutalist.
Stefan Pape interviews Felicity Jones, Guy Pearce & Joe Alwyn on The Brutalist - the genius of Corbet, Jedi-influences & hiding in cupboards.
Director Brady Corbet’s “The Brutalist” is both intimate and epic. It is an intense exploration of one man’s complicated life during post–World War II in America. Corbet and his co-writer, Mona Fastvold,
Adrien Brody captivates as a post-war immigrant who comes to America to chase his version of the American Dream.
Here, we follow Tóth, a Hungarian Jewish architect who, after surviving the Holocaust, immigrates to the U.S. to chase after the American Dream. Already a great actor, Brody presents us with a career highlight, one of his best performances to date.
Adrien Brody stars in Brady Corbet’s epic drama about a brilliant architect from Budapest hired by a dangerous capitalist played by Guy Pearce
"Tell me – why is an accomplish foreign architect shoveling coal here in Philadelphia?" A24 has unveiled one more official trailer for the monumental The Brutalist, the third feature from acclaimed filmmaker / actor Brady Corbet.
Joe Alwyn made his highly anticipated debut on late-night television, appearing on Late Night with Seth Meyers for the first time ever.As per PEOPLE, the 33-year-old actor made his first appearance on a late-night talk show,
Nominated for 10 Oscars including Best Picture, Brady Corbet’s film – starring Adrien Brody, Guy Pearce and Felicity Jones – explores around the existential terrors of America, and clocks in at a garg
The director of the possible Oscar frontrunner addresses the film's use of AI in response to growing backlash.
The Brutalist's Brady Corbet set the record about Adrien Brody and Felicity Jones' performances in the movie after it was revealed filmmakers used AI tools to tweak their Hungarian dialogue.
After so many years of setbacks and threats, he keeps returning to his great new American building. It is torture; it is hell, but on he goes. In a Europe ravaged by wars, brutalism found a purpose in the relatively inexpensive and abundant nature of concrete and the need for large,