Toyin Ojih Odutola at Hamburger Bahnhof by Mia Butter // July 8, 2025. Hamburger Bahnhof, as we know it, has only existed ...

Lygia Clark at Neue Nationalgalerie by Fionn Adamian // June 27, 2025. Art history likes clairvoyants. Divine as a tea leaf, ...

Apply for Opportunities: Berlin Art Link’s Artist open calls and residencies listing ...

Johanna Siegler reviews the group exhibition ‘For Real For Real’ curated by Claudia Rankine and The Racial Imaginary ...

Privileging Utterances as Forms: An Interview with Allison Janae Hamilton Interview by Jack Radley // June 12, 2020 Allison Janae Hamilton triangulates her artwork between her Kentucky birth, Florida ...

Today’s Holy Fools must take on the more public, Karataev-style approach, not retreating from but entering into, even confronting the world of power. Dutch artist Renzo Martens—famous for numerous, ...

Extinction Comes in Waves: Dakar Biennale’s ‘The Wake’ by Sean Smuda // Nov. 15, 2024 The 15th Dakar Biennale, ‘The Wake,’ takes place in the Ancien Palais de Justice near the western-most point of ...

What Rolls Off the Tongue Must Be True: An Interview with Stephanie Hier Article by Sarah Messerschmidt // Mar. 13, 2019 Stephanie Hier often refers to the adage “falling down a rabbit hole” to ...

The act of giving voice to the unheard, of giving breath to an archive, combined with Dalberg’s use of non-human sound in the video pushed me towards situating this transhistorical work within the ...

Agnès Varda’s ‘Third Life’ at Silent Green by Kate Channer // July 5, 2022 Summer falls on the oasis of Wedding’s silent green. The ex-crematorium turned Kulturquartier presents an exhibition that ...

Art as a Political Tool: An Interview with Máret Ánne Sara Interview by Elizabeth Schippers // June 09, 2020 A cascade of bones spirals down from the ceiling, creating a fluid motion reminiscent of a ...

Vaginal Davis by Mia Butter, studio photos by Ryan Molnar // Apr. 25, 2025 If you have been to Gropius Bau recently, you may have seen Vaginal Davis’s studio. Not directly, but the sheer curtains and ...