Askance tales of a storied city, New York 1995–1996 is photographer Stephen Clarke’s record of a “brief moment” that ...

Liverpool Biennial 2025: BEDROCK, proposes, says director Sam Lackey, to explore and expose the city’s foundations, by ...

“As the midday sunshine streams through gallery windows, there is an almost tangible dread.” Mike Pinnington on finding the ...

An Introduction To Psychogeography. Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway.Here, she explains why the movement has become a political ...

It doesn’t stop there. In the city, there are various eateries and shops that take their name from classic texts. Viewed through the lens of the literary work, these establishments have a different ...

Happily, ALL THAT REMAINS comes into its own as we ease, in a larger space next door, into modernism and those influenced and inspired by it. Cubism by Robert Colquhoun, Victor Passmore’s abstraction, ...

From Shaw’s Weeds of Wallasey on the Wirral, we find ourselves hurtle back through time, making landfall on the opposite side of the river. Atkinson Grimshaw’s Liverpool Quay by Moonlight (1887) ...

Sian Hill: As a working-class artist amongst other artists, you’re always made to feel the need to pipe down and get off your soapbox by your more privileged peers.Class seems to make many artists ...

In a shock move, 24 arts organisations ( of those, 18 are currently NPOs) will relocate outside of London, in negotiations with the Arts Council, to other key areas in the North, Midlands and South, ...

The Scuola di Grafica, a centre for graphic arts, provided Ferry with studio space and accommodation. As Ferry investigated the locations in Venice used for the film Don’t Look Now, his studio space ...

These are the questions that URNA prompts. Exhibited through June at Somerset House for London Design Biennale 2025, and responding to the festival theme of ‘Surface Reflections’, Malta’s Pavilion ...