Forget Arcadian landscapes and Corinthian columns. Oliver Mears’s new production of Handel’s Semele remoulds Greek myth to a 20th century manor house where mortals are servants of Gods who lounge ...
Confronting the audience at the outset of Oliver Mears’ challenging new production of Handel’s Semele is an unappealing grate cover, the sinister purpose of which is only gradually revealed. The ...
Some results have been hidden because they may be inaccessible to you
Show inaccessible results