The Shakespearean tragedy is reimagined as an opera that centres on the fantastical and dark tale of ambition and betrayal.
That comes from the dazzlingly gifted Ukrainian soprano Liudmyla Monastyrska, who stepped in at the last minute to make her premature Royal Opera debut as an all-encompassing Aida earlier this year ...
The first gag is the set itself (designer, Ultz): a psychedelic castle of white bricks and blue mortar, empty but for a makeshift, tartan hut on the side, where the King seems to enjoy hanging out.
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