Those are the second and third lines spoken in the 1949 film version of Ayn Rand’s “The Fountainhead,” adapted by Rand, contractually protected from studio meddling, from her 1943 bestseller about the ...
It’s hard to quibble with the initial premise of this year’s Chicago Architecture Biennial. It’s titled “SHIFT: Architecture in Times of Radical Change,” and that certainly seems to describe our ...
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